Arco Voltaico explores the hidden life of a hydroelectric power station deep in the Swiss mountains. We are guided from the darkness into the pulsating heart of the facility, among massive conduits, towering turbines and a silent, unsettling control centre. We observe the annual procedure of magnetic particle inspection: a complex examination of the turbines aimed at detecting cracks and material defects. Through the technicians’ hands and their meticulous application of magnets and fluorescent powders, we follow every stage of the inspection, an open-heart exploration of the machine. The soundscape, built from recordings captured inside the plant, transforms the environment into an auditory landscape that makes the invisible presence of energy and technology tangible. Amid flashes of iridescent light and metallic reflections, Arco Voltaico reveals the delicate interplay between humans and machinery, fragility and power.

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With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.

A man buys a video camera and goes to Berlin adopting a new identity: Ludwig. Fascinated by the magic of cinema, he films his trip in an obsessive fascion, converting it into fiction

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